You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Culinary Landmarks is a definitive history and bibliography of Canadian cookbooks from the beginning, when La cuisinière bourgeoise was published in Quebec City in 1825, to the mid-twentieth century. Over the course of more than ten years Elizabeth Driver researched every cookbook published within the borders of present-day Canada, whether a locally authored text or a Canadian edition of a foreign work. Every type of recipe collection is included, from trade publishers' bestsellers and advertising cookbooks, to home economics textbooks and fund-raisers from church women's groups. The entries for over 2,200 individual titles are arranged chronologically by their province or territory of publ...
The Self-Completing Tree is the author's own collection of the best of her last 50 years of writing. In this new edition, the celebrated Grand Dame of English Canadian letters and award-winning poet uses the metaphor implied by the title — a tree, half verdant, half in flames — to symbolize the androgynous self. This is the theme of much of Livesay's work and a central metaphor for the most definitive collection of her poetry. The result is a spiritual autobiography charting the fascinating domains of her own life and the universal struggles we all share.
Syllables of Recorded Time is a lively look at the development over the last six decades of a national authors' association, with all its problems and foibles. Personalities such as Bliss Carman, Nellie McClung, Stephen Leacock, B.K. Sandwell, W.A. Deacon, Mazo de la Roche, John Murray Gibbon, Helen Chreighton, Watson Kirkconnell, Charles G.D. Roberts and Duncan Campbell Scott figure prominently in the amusing anecdotes of the early days, and Hugh MacLennan, Pierre Berton, Dorothy Livesay and Arthur Hailey in the later years. Syllables of Recorded Time highlights the discussions and legalities regarding issues of copyright, contracts, women's role, cultural domination by Britain and the U.S.A., government funding and markets for writers. It tells why there was a spinoff of specialized interests including the Canadian Writers' Foundation, the League of Poets, the Governor General's Awards, the Canadian Copyright Institute, the Canadian Society of Children's Authors, Illustrators and Performers and the Writers' Union of Canada. Harrington vividly portrays all facets of the organization in this valuable resource book.
Creating a national literature through a series of original poetry booklets.
None
It's been said that without Harold A. Innis there could have been no Marshall McLuhan. Empire and Communications is one of Innis's most important contributions to the debate about how media influence the development of consciousness and societies. In this seminal text, he traces humanity's movement from the oral tradition of preliterate cultures to the electronic media of recent times. Along the way, he presents his own influential concepts of oral communication, time and space bias, and monopolies of knowledge.
Complete poems are bulky and too heavy to carry around. Collected poems pretend to be complete, but usually are not. Selected poems are altogether unpretentious and reader-friendly. But they can be problematic. Who decides what poems are important for inclusion in a volume of selected poems? When the selection occurs during the author’s lifetime, may one assume that the author was involved? What motivates the choice of one poem over another? How do readers’ preferences influence this choice? How do new readers and familiar readers of a poet negotiate the poems that are left out of the selection? The essays in this volume address these questions in a variety of ways, and also provide an overview of poetic writing from modernist poets to the present day, using selections from the 1940s until now. They offer new insight into the uses, both pedagogical and critical, of selection. Because Selected Poems usually address a large general public, these essays have also been written for all those who wish to know more about how these slimmer, more attractive volumes are produced.
An account of Allied cooperation in hemispheric defense and in the fight against Germany and Japan. The common effort ranged from growing wheat to the climactic development of the atomic bomb.
Canadian Art in the Twentieth Century is a survey of the richest, most controversial and perhaps most thoroughly confusing centuries in the whole history of the visual arts in Canada - the period from 1900 to the present. Murray shows how, beginning with Tonalism at the start of the century, new directions in art emerged - starting with our early Modernists, among them Tom Thomson and the Group of Seven. Today, Modernism has lost its dominance. Artists, critics, and the public alike are confronted by a scene of unprecedented variety and complexity. Murray discusses the social and political events of the century in combination with the cultural context; movements, ideas, attitudes, and styles; the important groups in Canadian art, and major and minor artists and their works. Fully documented, well researched and written with clarity and over four hundred illustrations in both black-and-white and colour, Murray's book is essential for understanding Canadian art of this century. As an introduction, it is excellent in both its scope and intelligence.